Eve Queler

Eve Queler (Born January 11, 1931), American conductor and the emerita Artistic Director of the Opera Orchestra of New York (OONY). She founded the OONY in 1971, after having worked on the staffs of the Metropolitan Opera and the New York City Opera. She is notable for her advocacy for, and conducting of, lesser known and less-frequently performed operas, such as Rienzi and Jenůfa. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Queler and additionally signed, dated and titled by Krishizki: "Georges / 1976 / Eve Queler conducting Opero Orchestra of New York."

Although primarily dedicated to the OONY, she has appeared as a guest conductor with numerous opera companies and orchestras internationally, including the Mariinsky Theatre, Opera Australia, the Hamburg State Opera, the National Theatre in Prague, theFrankfurt Opera, the Philadelphia Orchestra, the Montreal Symphony Orchestra, the Cleveland Orchestra, the Edmonton Orchestra, and the Honolulu Symphony Orchestra among others.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.