Rudolf Firkušný

Rudolf Firkušný (February 11, 1912 – July 19, 1994), Czech-born, American classical pianist. Original, vintage, pen and ink, "on-the-spot" illustration by George 'Georges' Krishizki. The hand drawn illustration has been signed by Firkušný and additionally signed, dated and titled by Krishizki: "Georges / 1971 / Rudolf Firkušný playing Davidsbundlertanze, Opus 6 by Robert Schumann / Carnegie Hall."

Firkušný taught at the Juilliard School in New York, and in Aspen, Colorado as well as in the Berkshire Music Centre in Tanglewood. Among his students were Yefim Bronfman, Eduardus Halim, Alan Weiss, Sara Davis Buechner, Carlisle Floyd, Kathryn Selby, Avner Arad, June de Toth,Richard Cionco, Robin McCabe, Anya Laurence, Natasa Veljkovic and Carlo Grante. After the fall of the communist regime in his homeland (the "Velvet Revolution" of 1989), Firkušný returned to Czechoslovakia to perform for the first time after more than 40 years of absence. This was acclaimed as one of the major events of his festival, as well as return of his compatriot and friend Rafael Kubelík. He retained his remarkable talents well into his later years and, for example, played a full Dvořák-Janáček-Brahms-Beethoven sonata recital in Prague on 18 May 1992 together with the violinist Josef Suk (the namesake and grandson of his teacher, and great-grandson of Dvořák). He played only two times at the Prague Spring International Music Festival, first in 1946 performed Dvořák's piano concerto, and in 1990 he played the second piano concerto of Bohuslav Martinů.

George 'Georges' Krishizki (March 22, 1924 – December 20, 2001), Russian-Polish-American illustrator who came to the U.S. in 1949. While he earned acclaim for his renderings of the city’s architectural landmarks, it was his on-the-spot drawings of musicians in performance that attracted an especially appreciative audience. In a 1973 article published in conjunction with two simultaneous exhibitions, Georges explained the genesis of his long-running engagement with the concert hall: “I’ve always enjoyed going to concerts, and one day I decided it would be fun to combine my interests in music and art and make sketches of musicians during performances.”  Indeed, the most remarkable feature of Georges’ oeuvre, apart from the astounding range of performers who gladly expressed their approval and appreciation by signing, is the skill with which the drawings are accomplished.

This original pen and ink illustration, measuring approximately 9 x 12, on heavy-weight sketch paper, is in fine condition with some light overall toning. Its verso is blank and clean.